James Ehnes, violin & Andrew Armstrong, piano
Bach and Shostakovich
Bach and Shostakovich
Note: Tickets for this event are now sold out.
Student tickets generously supported by the Cavatina Trust. These are strictly limited to two per booking
Bach Partita in D minor for solo violin, BWV 1004
Shostakovich Sonata in G, Op. 134
James Ehnes has established himself as one of the most sought-after violinists on the international stage. Gifted with a rare combination of stunning virtuosity, serene lyricism and an unfaltering musicality, Ehnes is a favourite guest of many of the world’s most respected conductors including Vladimir Ashkenazy, Sir Andrew Davis, Denève, Sir Mark Elder, Ivan Fischer, Edward Gardner, Paavo Järvi, and Donald Runnicles. Ehnes’s long list of orchestral collaborations includes, amongst others, the Boston, Chicago, London, NHK and Vienna Symphony Orchestras, the Los Angeles, New York, Munich and Czech Philharmonic Orchestras, and the Cleveland, Philadelphia, Philharmonia and DSO Berlin orchestras.
Alongside his concerto work, James Ehnes maintains a busy recital schedule. He performs regularly at the Wigmore Hall, Carnegie Hall, Symphony Center Chicago, Amsterdam Concertgebouw, Ravinia, Montreux, Chaise-Dieu, the White Nights Festival in St Petersburg, Verbier Festival, among others. As part of the 2020 celebrations for the 250th anniversary of Beethoven’s birth, Ehnes performed the complete cycle of Beethoven Sonatas at the Wigmore Hall. As a chamber musician, he has collaborated with leading artists including Leif Ove Andsnes, Gautier Capuçon, Louis Lortie, Yo-Yo Ma, and Yuja Wang.
Ehnes has an extensive discography and has won many awards for his recordings, including two Grammy Awards. He is a Fellow of the Royal Society of Canada, a Member of the Order of Canada, and recipient of a Royal Philharmonic Society Award.
James Ehnes plays the ‘Marsick’ Stradivarius of 1715.
Praised by critics for his passionate expression and dazzling technique, pianist Andrew Armstrong has delighted audiences in venues as diverse as Carnegie Hall, the Kennedy Center, the Grand Hall of the Moscow Conservatory, and Warsaw’s National Philharmonic. His orchestral engagements across the globe have seen him perform an extensive repertoire with such conductors as Peter Oundjian, Itzhak Perlman, Günther Herbig, Stefan Sanderling, Jean-Marie Zeitouni, and Stanislaw Skrowaczewski, and has appeared in solo recitals in chamber-music concerts with the Elias, Alexander, American, and Manhattan String Quartets.
He has issued highly praised recordings of Chopin, Liszt, Debussy, among others and has released several award-winning recordings with his long-time recital partner James Ehnes — most recently of the Beethoven’s Violin Sonatas, to stellar reviews.
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Thanks to generous support from the Cavatina Trust, Camerata Musica is able to offer Free Student Tickets to selected concerts.
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Peterhouse is the oldest of the constituent colleges in the University of Cambridge. It was founded in 1284 by Hugo de Balsham, Bishop of Ely, on its current site close to the centre of the City.
The Peterhouse Theatre was built in 1883 to designs by one of the architectural masters of the Victorian era, Basil Champneys (1842-1935), whose other buildings include Newnham College and the Old Divinity School in Cambridge. Inspired by Palladio’s Teatro Olimpico at Vicenza (1580-85), the fine acoustics and intimate atmosphere of the Peterhouse Theatre make it the finest venue for chamber music in Cambridge, and one of the top three such venues in the whole country.