Liadov Kikimora overture Rachmaninov Piano Concerto no 3 Respighi Fountains of Rome Stravinsky Firebird Suite
Piano: Dinara Klinton Conductor: Robert Hodge
Kikimora is a malevolent witch in Russian folklore. She inhabits any house of her choice and causes continual trouble. Liadov loved the spooky and occult. Here, he gives rein to his fertile musical imagination and we can do likewise as our witch lurks behind furniture, then takes to flight to sow mischief where she will.
Rachmaninov’s Piano Concerto No. 3 was the composer’s favourite and its popularity has grown since it was championed by Horowitsky in the 1930s. Its notorious difficulty has created an aura of fear around it for pianists worldwide. Where there’s risk there’s fun, so don’t miss this stunning pianistic display from the hugely talented Dinara Klinton, who delighted the CCSO audience in 2017 with her performance of Beethoven.
‘Fountains of Rome’ is one of Respighi’s best known works, and the first of three centred on the capital of the ancient Empire. A mammoth orchestra and exquisite impressionist sonorities provide treats to be relished. The same may be said of Stravinsky’s ‘Firebird’ Suite. Originally a ballet, it established itself as an orchestral masterpiece of immense character, overflowing with energy and Russian earthiness. A huge success at its Paris première in 1910, it paved the way for the amazement kindled by Petrushka in 1911 and the sensational fisticuffs that greeted the ‘Rite of Spring’ in 1913.
Sat 23 March at 7:30pm
West Road Concert Hall
£18, £16, £8, £5
West Road Concert Hall is one of Cambridge's premier music venues. Ideally situated only minutes' walk from the famous Cambridge Backs and King's College, it is renowned for its superb acoustic qualities.
Please note there is restricted viewing from some of the balcony seating.
Three wheelchair spaces are available in the concert hall with easy access at ground floor level throughout the building.
The main entrance to the venue has a double width door, with a push button for automatic opening.